Liróforo Gabriel Velázquez The Toledo
Renato Leduc.
language Desolemnizar
Like much of post-revolutionary writers, Renato Leduc makes the history of Mexico as a pretext for the narrative exercise. It uses the plausibility of historical data to create an atmosphere being prepared with the intention of showing their version of events, with a style bordering on chronic journalism uses to speed the course of events that have as main feature, a series of statements, a product of close experience: "President Madero was the Mexican Revolution, which was Kerinsky the Russian Revolution, but with luck and more tragic destinies. He died, became an apostle, martyr, a symbol and flag, revolution broke out. "
It can be seen in this statement, Leduc also uses irony, says with a humorous game, which further simplifies the contents of your proposal narrative, making it accessible to the public.
is remarkable ability to combine journalism and literature, the author is guessing items in order to return to a bit more critical journalism, it becomes clever, "the political journalist is the historian of the immediate. But often it does not apply to immediate past twenty-four hours ... because the journalistic material is more often than not, as once I heard the teacher Vasconcelos-Shooting and even temporary. " However, despite the testimony offered on his journalistic work, self-repressed, since in fact the language, style and value their testimony (eg on Reed), turn it into a reference author of the historical moment.
Leduc John Reed is for one of the influences that with more intensity and clarity, are seen in the practice of journalism, strong, clear and precise "all the great stories I know, as I recall, only one in sixty years effect has not lost interest and remains current, exemplary and impressive: Ten Days That Shook the World by John Reed. " "Ten days that shook the world, obviously, to clarify, also touched me, especially since by then had left my old job as a telegraph operator, I started in the random journalistic career and was looking for good models of story it illustrates. "
To his surprise, the author was the same as years before known in the ranks of Villa, who would eventually to become one of the most important authors who have in the testimony about the revolution. In this regard Leduc says that "Paul Nizan French journalist defined the political reporter as historian of the immediate. The definition applies to the reporter, war correspondent, etc. ... The ten days that shook the world and Insurgent Mexico, is history, but-if-fit comparisons can be said that the former is Tacitus and the second Suetorio. " Another
Leduc tools used in the exercise of narrative, is the de-solemnize the language. This allows, as mentioned above on their mood, their texts available to the general understanding of the people in general as thorough and authoritative document and in particular simple. "During the months she lived with Mexican guerrillas, John Reed not only was a witness and chronicler, but also the actor of many of the events it tells, and so much so that in the pages of Insurgent Mexico, spilled emotion, humor and grace. "
As a critic does not cease to use this tool to anneal the text of its elements solemn its popular search that certain actions make sense. "Explode at any moment a keen literary sensibility, an ineffable poetic emotion, an indefinable grace and cheerful, a mischievous humor that is not already in the stern."
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