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"Catch the Lord Pato" greets Somalia, elected by Transparency International as the world's most corrupt country in 2010, confirming its leadership in this field. Recall that Somalia was chosen as the most corrupt in 2009 and 2008 also. Congratulations.

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On December 20th, at seven in the evening, we gather in the Parque Roca to celebrate police repression of nineteenth and twentieth of December two thousand and one. To do this, shoot a Bolivian. Admission is a nonperishable food. We wait.

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This holiday season ... Celebration

burn their clothes, burn their phones, burn your TV, burning your furniture, cars, everything you have, burn it. His life is destroyed, Understand them, the waste earn money to buy items that do not need. Just because you are hypnotized to believe they need what they buy, they will be happy with what they buy, going to live now with what they buy, when, in fact, manipulated their darkest desires and perversions to force them to buy. The social organization need to buy for the economic wheel keeps turning and crushing will, for a programmed life and soul full of objects without any sense. All I know is sitting on the purchase, operation of social life requires the purchase. Help them buy, if they can not, then they are charged, bought without knowing that and have the anguish and emptiness that is absolutely useless purchase, without reason, that only serves to feed the maw par of a regime that is always hungry. So, burn all, burn their cars, their clothing, appliances, ornaments, furniture, cell phones, their albums, books, perfumes, their cosmetics, shoes, burn everything. And buy it again, and this system can continue operating.

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The "girls" of the opposition

Yes, here we understand everything. Beauty is more than a cultural construction, we know. That there are a lot of social conditioning that make us perceive the beauty in a way, we also know, as we know that the pretty and ugly is unreal, that does not exist outside our mind. That merchants are taking advantage of this and cheat us with their offers, so we know and of course we know that it is necessary the destruction of the aesthetic paradigm. But we can not deny certain facts, certain sensations that cause us some characters. We have the theory that the evil deformed, ugly, hardened features. And in that sense we say that Graciela Camano resembles an orangutan. Yes, we know, this is discrimination, is to feed a bias but we agree that is closer to the missing link of the female gender. And his hair dyed orange not very flattering either. And is not the only case that Elisa Carrio is more like a pig than a woman, look at her when she speaks and gestures tell me but it would make a pig if he spoke. And take it as a compliment that pigs are very intelligent. In these cases we may speak of a woman's animalization in a slow fall into utter irrationality, wilder, more control. In others, we say that the evil of "masculinized," ie, became a hybrid that is a woman physically but has the sensitivity and intelligence that have stunted men, for example, Margaret Thatcher. In Argentina, think Patricia Bullrich, the lines hardened face gesture to ease you from speaking or smiling, their eyes devoid of life that keep you from expressing tenderness or compassion, her black hair, curly, rough, dull, make a man or, rather, in a woman "masculine." Other examples are Maria Eugenia Estenssoro or Silvana Giudici. And better not talk about some men who have a policy process "monstruificación" which are transformed into gargoyles, as Fernando Iglesias, tall, thin, thick dark eyes and you, who looks more like a corpse coming back from the grave a person.


Yes, okay, we understand that beauty is a cultural issue is a subjective construction, even ideological. We also know that these considerations are frivolous, they do nothing, which only generate hatred and tension. We know. But what can I say?. If after reviewing this gallery of terror, to see horrible things and detestable, to scare us with these specimens loaded with evil and irrationality, we see Cristina. Colorada, nice, pretty, with flexible features, with its huge smile and warm, with their liveliness, their intelligence, their beauty and can not help thinking that she is prettier than the "girls" of the opposition.

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Some notes on the evolution of theater in Mexico during the twentieth century


Liróforo Gabriel Velázquez The Toledo
Some notes on the evolution of theater in Mexico during the twentieth century
Part 3
For Mexico, the first half of the twentieth century is found in the trend build the new ideals that should prevail in their social relationships. The proposals in the art are focused on nationalism, to discover the depth of pre-Hispanic heritage, an identity that would provide significant contributions that would encourage individualism. There is a clear tendency to seek the best of that nationality. The innovations are then directed to a reconstruction of the scene. Scenarios are completely eliminated, allowing the dark and the sounds insinuate situations.
contrast to mid-twentieth century there is finally a concern for the viewer's interaction within the theatrical setting. The theme manages to find a syncretism between past and present. Memories are the real image that tortures, epiphanies and strengths, which lead to action in all cases and are the reference to subjective presence, found in the minds of viewers, as part of a national identity.
The language also serves as a tool to connote that there is a profanity, a sense of social belonging, equality between viewer and actor. Creating links with consciousness, are identified by a particular symbology, which the viewer can recognize and have as an identity.
For half a century in Mexico, the values \u200b\u200bhave degenerated in the big city. The artist's search requires you to cast off, so that in 1954 there is a break with the paternalism the state in pursuit of creative freedom and expression. Youth who have been trained under the tutelage of theater, beginning to show new proposals, that somehow ridicule the social environment, render it vulgar at once human and thus arises a break with nationalism. To this the answer is to reflect, through a neocostumbrismo, social reality at that time prevailing in the world.
Emilio Carballido, dance the turtle dreamed of in his speech dramatist, proposes the recovery of neo-folkloric values. The recovery of common behavioral details in the city, become the elements that cause the reader empathy with the work, feeling recognition and credibility, although not without perceiving that this has meant to ease the growing steadily sinismo author. The works at this time report focusing on how values \u200b\u200bare twisted and broken.
Although some noteworthy is the social time has also demanded their share of artists, are at that moment, as you can see with Elena Garro, a portrait of the struggle for women's rights, does not escape his criticism especially when much of the speech is directed to redeem the female figure, which is a good example of the things that alienated its predecessors. Another difference that implements
Carballido as definitive portrait of the moment is given in urban environment. Description and photo, find a internalization and identification with the public, through the image of the decadence of modernity. Urban issues, is used by the author as a pretext for displaying the degradation of values, the transformation of thought, the simplicity of a decadent society actions can be taken by simple dislike or misrepresentation of others through gossip and lies. The theme has a strong critique to individual values, customs to identify deficiencies exhibited
This is how the arguments are gradually leading to actions, to collect them in an intimate and contemptuous speech, hating the family and its meaning. His estrangement from the common approaches of the theater, let you display everyday aspects that may not even be seen, but which lead to the society by their own rules, a double moral behavior and instincts.
experimental trends, linguistically, as a theme, which had in the theater, soon found followers also. The proposals in this theater is to incorporate in the depictions of everyday life. The show has been a detriment, because since the introduction of cinema fell into detriment. Not reaching large audiences, they begin to deal with proposals that finally propose an experiment stage beyond the 4th wall. Finally theater universal trends have permeated the mood dramatic, although delayed by significant others.
Comments: elliroforo@gmail.com

Easy Behind The Wheel Test In Los Angles

Some notes on the evolution of theater in Mexico during the twentieth century 4


Liróforo Gabriel Velázquez The Toledo
Some notes on the evolution of theater in Mexico during the twentieth century
Part 4
For the last quarter century, proposals that theater will be presented focusing on everyday life and modernity. In the simple things of Hector Mendoza, we can see how the relaxation of social mores comes to great performance. The paradox of daily life, imposing a theatrical dynamic of different social categories. The author proposes a fluid and natural language in order to recreate the very human representation of attitudes. Unlike other works that hitherto had been submitted, the playwright intends to engage with young people. The dynamics of their thinking becomes a possibility, conducive to the character involved with the audience, with one possible "that was" or "what."
The theater has finally managed to involve young people, so in the near future will encourage the innovation of much of its content and form, the pair make great progress, thanks largely to the rising careers of theater, which was encouraging that global flows of that discipline played a part in the performances.
Belatedly, many of the theatrical experiments that were being done in Europe since the beginning of the century, had their chance to be represented in shows who enjoyed the wonder of the surreal element of the Mexican daily. These elements were very well used previously by film directors such as Luis Buñuel, but not until the arrival of great masters of drama in our country that have implemented these elements in the scene. Alejandro Jodorowsky
youth follows this line Mendoza, implementing new features, with particularity, managed to expand the horizons of the stage. The perception of the break from routine, is presented as a divorce to a tradition that was trying to stage much of the conventional popular. In contrast, the critical period, associated with a certain ideological disillusionment, which strives for the individualization of experience, resulting in a multifaceted experiment, since their representations are subject to a number of paradigms, totally different than usual.
The dialogues are born of improvisation and emotion, from a script that shows a foot. Jodorowski classic game, allows a different perception of the theater after he and his followers. The theater is a magical activity, which can represent any absurdity, any element that is directed against the convention and tradition.
Finally, as part of a social product, the disillusionment of living together in large orbs, the difficulty of being alone and in the existential void, led the theater to the boundaries of postmodernism. The generation of the Century proposes alternatives that are a delight intellectual, visual, auditory, leveraging technology and the play of light. For Morelos and Noe Torres Morales, there is a transformation following the dramatic language. The possibility of the actor-director gives more opportunities to show, which involves a much more advanced in character-spectator coexistence. Signals disappear
membership of the characters. Lose the name, distance to keep up a fantastic experience. Disassociated themselves from traditional values, complete with a tendency to break the routine with a shrewdly humorous, critical and accurate, showing that it distorts reality itself, through the flesh and blood characters that compose them. By the end of the century redefinition stage, set design, technology, music and the creation of new values \u200b\u200band paradigms, offer entertainment for all tastes. The new chamber theater, aimed at small and exclusive groups, street theater and poor theater, which is aimed at the masses and are popular shows, the commercial theater, which is sponsored by the television companies and most experimental theater , which merges many possible techniques and adapts is the scenario that is within reach.
Fortunately, the theater has found a new dimension in their caps. The advantages Dimensional exposure the work you have been charged to the actor, who catches the arts learning in order to perfect its work. The potential has been explored largely along the twentieth century. It seems that a charm for the past back to the theater to some forums, but still needs to be given intelligent shows, as a way to go creating a cluster of viewers / consumers, who managed to make a quality theater movement in Chiapas.
Comments: elliroforo@gmail.com

Laryngial Cancer Ribbons

Some notes on the evolution of theater in Mexico during the twentieth century 2


Liróforo Gabriel Velázquez The Toledo
Some notes on the evolution of theater in Mexico during the twentieth century

Part 2 The first part of this study became aware of the social conditions under which represented the Mexican theater in the last century. Here we present the development of Mexican theater, according to the specificities of some authors and their respective parts, for that there will be a brief description of the values \u200b\u200bthat these works present, the way they were making the breaks, both in the field, that grew from a particular concern, the universal conflict of emotions, in the conventional manner of Elizabethan theater and canonical forms of representation, to the experimentation of the dimensions of space, the constant of fostering a climate of reflection, focusing his criticism of the social life and the decline of values.
In the early twentieth century Mexican society in the theater is a reflection of what is involved is the situation in the country, the climate of decomposition is portrayed from his position, with folkloric scenes and events that may be the vivid portrait social. The credibility of the talks is not yet looking like a dramatic value is not important how it is expressed only meaning. The characters are strong, stereotyped, enjoy the emotion, it is what drives their actions. The actor in his driving to the shares depends on outdated family structures, aimed at the protection of rights, but with a consciousness that takes you beyond the limits accepted by the bourgeoisie, it violates your comfort with a punishment from men, too human bastard offspring, who humiliates her bourgeois status and stain the honor of a family, right in the when the country is in chaos, Gamboa report this behavior and punishes the guilty. The challenge of the playwright is because in the story, reporting to the society of his time by his lack of empathy, and correcting from the intelligentsia. This creates
who later achieved the turnaround of the attention of playwrights to privacy. The scheme was started and it needs an identity. The values \u200b\u200bof the revolution are in danger, they do not enjoy strong support in the consciousness of the time, however, has weakened the credibility of the political system and be rebuilt.
For Julio Jiménez Rueda, when changes are conducive to its proposal. The tendency of the theater focuses on a rethinking of the values \u200b\u200bof society. It is noted for example in the construction of the characters in silhouette smoke, who have a more intimate touch, but direct their problems to a more universal sense. Its theme focuses on the emotions, which immediately holds the attention of the viewer, who remains on the lookout and uses his own experience to identify how they are the rest of the scenes and scenarios.
There is a clear contrast with the previous values \u200b\u200bof the regime, puyes the trend of individualization and rights, allow a relaxation of mores, which is observed in prostitutes characters, shown in Everyday Life. This value is also transformed everyday life and is known the meaning of censorship. The theater is allowed to occupy in contemporary regionalism, to begin to publicize the need to expand horizons and be realistic. The transformation is an essential stage in the visual reinforcement that has been undertaken, it is now the city.
modernist values \u200b\u200bembedded in the dramatic tasting, includes a language closer to the true representative of the upper class, so that builds the credibility of the dialogue as an essential part of the set, and it goes beyond the author decides to play with the elements of language and phrases to reinforce the intention of transforming them into victims of ironic genius. However
time happen again brought political developments back to the theater a tool of the complaint. The critical subtlety of the messages, were the main form that is worth the playwrights to express their dissatisfaction with the social situation. For the first quarter of a century in Mexico, the values \u200b\u200bof the revolution have caused a deep void. The mask under which the system is transformed into an institution, is sustained by violence and deceit. Rodolfo Usigli with the gesticulating, exercise more sagas suggested the potential of the theater, leading to political and social criticism. His language transforms each of the actions, as behind many of the dialogues are the hints that the author throws the viewer, leading to his identification with the problems of the moment. Besides the language lends itself to convert credible environment, despite the neat thing about the situation. The values \u200b\u200bthat underpin society must again be put to debate, because the anger is part of social consciousness. The characters are motivated in their actions by a search for meaning. Constantly reiterated their moral positions, what the distance, knowing that reality is corrupted by power.
In the next issue will realize how theatrical values \u200b\u200bevolve again, this time with the founding of the academy and theater career, which led to professionalize the performance on stage and experiment with new trends emerging in Europe.
Comments: elliroforo@gmail.com

Wedding Program Memoriam Line

Some notes on the evolution the theater in Mexico during the twentieth century 1


Liróforo Gabriel Velázquez The Toledo
Some notes on the evolution of theater in Mexico during the twentieth century
Part 1
Theatre in Mexico has always had a special place. If we apply the theory of Antonin Artaud, presuppose that since pre-Columbian ancestors, there was a dramatic burden on the military and religious ritual they undertook with great perseverance. The Indians were retrained under the principles religious Christianity, which was based on the ritualistic-made plays, as the mystery plays, which popularized and eventually degenerate into festivals and other paradoxes. Cultural predisposition to visual spectacle mass led to the theater to have a special place in the critical respect of society in the first half of the twentieth century in Mexico.
The opera occupied in Mexico, in early twentieth century, a very important place in society, within the entertainment possibilities of the bourgeoisie porfiriana this particular, enjoyed a prestige, above the influence that France had in the Diaz government.
soon for the theater, as its experimental release was given, in a climate of political tension and military, commercial exploitation led to the creation of popular alternatives to these shows, close to the economy, criticism which has lived in the country, the climate under which generates and popularized theater magazine and definitely the theater distance dramatic spectacle that defied criticism and intelligence.
Opportunity for playwrights, to be able to express their feelings and ideas in popular reference with more impact, far into journalism, became the Office of the theater in a window that opened the expectations of promoting the acquisition of suitable ideals state. The effort was directed toward the intellectual formation of a generation whose defenses would sit under the principles of national art.
The breaking of the theater under the patronage of the state, generated a different show, free to express their ideas, aiming to regain the lead creative and motivated to experiment.
As the drama evolves in its dynamic, themed and exposure, you can place the common elements which reflect the main features of an era, such as social thinking, values, search and experimentation. Through language, the characteristics of the characters and the planning and development actions, are just some of the factors that show the common need of each generation, offering an alternative to what has been granted as social fee.
In early twentieth-century theater is seen as a mass spectacle. The values \u200b\u200bof traditional society are reflected in the customs. The theater is no exception, trying to reconcile a number of ideas between different societies that prevail in the ideological apparatus. Federico Gamboa shows us in his book The Revenge of the soil, further work has to anchor under a common enemy of the spectator pro-establishment, the people.
Poverty is everywhere, while the elite enjoyed its privileges. A society applicant who is about to turn to revolt, as they have nothing to lose, in the midst of this environment, a moral dilemma that aims to find a point of identification with the actor.
In subsequent parts will realize some emblematic works for the Mexican theater and the way that the theatrical paradigm shift took place.
Comments: elliroforo@gmail.com

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Beyond the sea, is the decline: The figure of the city in the poetry of Joaquín Aguilar Vásquez

Beyond the Sea, is the decline:
The figure of the city in the poetry of Joaquín Aguilar Vásquez


Quincho is one of those writers who use the potentiation language to recreate their emotions and feelings of loneliness reflections and nostalgia, the language in his poetry rises to a meta-awareness of contemplation, the sublime, is directed to an empathy that is reached in the simplicity of his figures while the depth of their expression. Although primarily directed its theme the sea, the nostalgia and longing, hints at a stormy conscience, which is aimed at the adventure, chaos, drunkenness sense and is based in the city as a symbol of reality perceived.
The city is the main reference point for a movement that has turned in his direction, against the meaning of modernity, which in large cities, comes as the cult of innovation. Calinescu says that "as a poetic works impossibility impotence of the word failure. " (1991.291) unspeakable born as a consciousness, a struggle between sense of impotence. Joaquín Aguilar Vásquez
To experience the city was tragic from the beginning, the child was brought to the city for education, leaving home, family, the sea, remains bonded to the house that gives shelter and studied at the night school. Is in a city where Emeterio dies, her father, and can not attend the funeral because he has no money. He learns to obtain the memory, the feeling that something is overwhelming, the weight to be the distance from the beginning to acquire the artist's sensibility when it comes to the climax of his emotions. Finally this relationship disenchanted, torment, reaches its highest point, when he dies in the city of Tuxtla Gutierrez.
But this relationship with the city also brings a positive, because among this chaos is love, literature and theater, as horizons are opened for testing. There is growing as a writer. In the city is chaos that makes him recover his memories, perhaps as a result, in many cases, its poetic evocation of the sea. This explains why the city represents for the author's approach to another reality, is in itself, a reality at odds with society, that distance by the consciousness of individuality and emerges as a lifestyle.
The poem "For the long street" (2010, 45) is welcomed by his readers Quincho, a challenge to the common, reflecting the conscious artist who hesitates by the passages of the unknown, the city which torments him: " by the long street / someone walks with my feet / someone dies in the corner / someone beyond, born /. "The everyday is a reality that enslaves subtly, that becomes part of the personality and consciousness, but the artist recover known and continues: "Everything seems to run with the naturalness of the time / and sometimes stop at the corner / all seems to me like daily /" Until finally been recognized as one super-man who is capable of violating the rules, "except that a day / long street that suddenly becomes a child / I wear my steps / know their hours watches made of meat / and know all the things that I can watch it from what was / a dream and broken / then comes the night / and I tell you, they will come another day, maybe /. " So declares that embraces its role, which is ready to get lost in the maze.
The preliminary study on the work compiled by Joaquín Aguilar Vásquez At the peak of the white herons (2010) speaks of the sense that the city in the work of Quincho:
The city has a dramatic destination. His routine is a kind of prison and slave labor. Modernity is a human error in the elemental enters and pollutes the world, a message has reached the end of its values. The contemporary world becomes more artificial, less human, dispossessing its inhabitants are inwardly radically alienated society. Not inhabit the real world. In this situation, the poetry of Joaquin looking for the innocence of things and the old unit is not affected by technological developments.
"The modern world becomes more artificial, less human," that's where is the sense of the figure, a detachment of the ideal, in a vacuum. To Lipovetski (2002, 93) "modernist innovation is its alliance with the scandal and the break, so come work at odds with the harmony and sense, divorced from our family's experience of space and language "this happens when the city Quincho involves the themes of his poems, until individualized, constant of about a dimencionalización of his unconscious, where chaos is the perception to violence, noise, contact with hundreds, thousands of conscience around him and is overwhelmed. Lipovetski notes (2002, 81) "Modernism is a kind of creative self-destruction ... Modern art is not only critical age son, but the critic himself." That conscience becomes a postmodern environment is remote and stands as an observer.
But his contact with the city goes further, let it absorb for the great artistic consciousness that is in the Federal District, where he will reside with his group of Teatro Campesino. That replaces the need for modernity, the "have to be quite self" password of postmodernism, which was introduced product of "an extremist behavior that takes the logic of modernism to its outer limits ..." (2002, 105), and Quincho proposes it as a divorce between the values \u200b\u200bof the artist and the everyday world. The city is another driver of the artistic consciousness the poet, was let go by an internal search that expelled from their paradise, to the everyday and the fatuity of time city dweller. Quincho
So change their traditional values, comes an awareness syncretic between convivial and emptiness. His taste for the drink. Lipovetski indicates that postmodern consciousness is "the coexistence of opposites that characterize our times, not the alleged hipdrug-rock culture." The same author states that "postmodernism tends to affirm the balance, the human scale, the return to oneself, while it is true that coexists with hard movements (environments of vice and violence)." (2002, 93) In the Quincho particular case, the city is the representation of a commitment to abide by, that of the evocation of attitude, a self-destruction that is represented by this sign. Joaquín Aguilar Vásquez is not abiding the misery of the city, on the contrary it is assumed it goes to find a way, it shows in the poem XII of vertebrae, which speaks of the reality around him, which considers a engali that suffocates their being, which is overwhelming. And then fight: heat
if I said my previous
speeds and traffic signals
this big lie
look
if banks were measured by mass

industrial cities thus stifling monotheistic


This Honoring the critical advances, the courage of the hero, the one who sacrifices, the imposition of myth and dogma:

when man is born knowing only grows roses die

and fear of apple and continent

and castrated However

the poet is able to recover from the setback of the ordinary and dare to act ahead of his destiny:

here is my boldness
half conquered the border bridge and chiaroscuro

dubiously abide my misery. (152)

The city becomes a nightmare with no end happy, peaceful idealization of chaos, but to assume that self-imposed critical which gives a critical position for viewing. Significantly the city becomes a symbol that takes upon himself the sense of the complex. The complexity of the relationship with this element merges with the clutches, stunning. Overwhelmed the poet seeks to escape a tragedy "for the city of Mexico, which did not want to / go because he said he was going to die of cold, noise, / of crushed" (204). When it penetrates, chokes, the city continues to signify as torture: "there is no city farewells, no carriage returns at high speed" (2002, 193). The city is equal to the loneliness, emptiness and loss of a bet as in "Sonnet to does not enter the city "(179): I do not dwell
city. No. I realize.
And I realize that I'm a little
Light. City not focus
habit and whose dark, as light
me thirsty, my silence (which I directed
to light, the voices that play
step of my blood and my crazy
keep my sadness and bone)

This loneliness is transformed into stunning, nostalgia, a memory that constantly evokes the sea, even in the city, discovering the natural paradise lost and the artificial paradise that survives. Finally, the figure of the city is critical as opposed to the sea, as a reference scenario, which can dispensed at the expense of returning to the past (237 and 273): Garza
life wanting to nest in the wind
pelican carefree love my suffering
a hammock to rest in the afternoon and flock Seduce
nostalgia sea alárgame more sympathy
the Coffee
bustling city and call me shrimp from the back of the restaurant and win
give me a woman and mourn
or be a swordfish in the peace conference
madness is more hunger and sadness and unparalleled
I prefer bags without my rain and my swamp.

"rural minute" is an example of how barbecue is also the symbol of a city in metonymy. Recurrent the sea, the city and its meaning, is the decree of separation of memory:

3

City that puts you right in the waist of this rural

of ripe lemons minutes for your patio. Moment

has broken his silence with all eyes tour.
That is behind us,
the other side of this noise and this road.
Beyond this,
where your path with their dust.
Where are your sandals and your hat.

The city is the representation of the real world, the world must be found to go on an adventure in search of stories: "I'm wilderness and solitude and field / And I'm singing with you yesterday bird song / city outside. "(348) is his way of surviving the chaos regime, the dream, the return to the memory as seen in" another poem Isolde "(214)

smiling as I remember in my
eyes (from the air in my eyes)
sometimes cried this fucking world you said

were friends and I talked to your children

I remember once I told you I love your smile
and opened as a scenic
but we knew the course of our sorrows in our climate on
words

remember one day wanted to overturn your desk at work and send
the devil and the whole city papers
gave you a look like a hug

I remember going to your house

we were recommending books over coffee

The relationship with the city is qualified in its close encounter with sobriety, with times significant peace, which he kept for himself as a recollection, as an evocation with which to approach the lost. Finally find a way to deal with the chaos. Out the experiment know everyday for what is inserted into your inner consciousness in search of something profound to grasp:

I'm going outside to walk every morning every afternoon

the yard of my house while it is October
I was back home and write

and while it's October and the memory
write me back my house with its courtyard
and I walk every morning every afternoon

each lemon scent

each bird every look every look
father
mother every look
brother and I sit

song somewhere in a city with all its noise and metal but I'm

while walking through October is my backyard lemon

bird bird

my house your old door and my dog \u200b\u200b


home and I have my dog \u200b\u200b
CIENMIL steps
dust and I have the path and vereda
y cienmil pájaros tengo
mientras es octubre

Finalmente, es interesante la conjunción de significados simbólicos que se da como producto de la fusión de elementos ciudad-mar. La ciudad es el reflejo de esa conciencia desencantada, “posmodernista”, fatalidad y vacío, encuentro consigo mismo (abrumado o sobrio), solitario. En su evocación del mar, él mismo es el mar. El estero es su equilibrio con el caos, del que sirve en la embriaguez producto de la saturación del sentido y del mundo. Emborracharse es el regreso al mar. En el Mar renace. En la ciudad se gasta esa vida que le queda.

Sunflower Seeds Hallucinate

Beyond the Sea, is the decline: The figure of the city in the poetry of Joaquín Aguilar Vásquez

El Liróforo
Gabriel Velázquez Toledo
Beyond the Sea, is the decline: The figure of the city in the poetry of Joaquín Aguilar Vásquez
Quincho is one of those writers who use the potentiation of language to recreate their emotions and feelings, reflections of loneliness and nostalgia, the language in his poetry rises to a meta-awareness of contemplation, the sublime, is directed to an empathy that is reached in the simplicity of his figures while the depth of their expression. Although primarily directed its theme the sea, the nostalgia and longing, hints at a stormy conscience, which is aimed at the adventure, chaos, drunkenness sense and is based in the city as a symbol of reality perceiver. Joaquín Aguilar Vásquez
To experience the city was tragic from the beginning, the child was brought to the city for education, leaving home, family, remains bonded to the house that gives shelter and studied at night school is in a city where Emeterio dies, her father, and can not attend the funeral. He learns to obtain the memory, the feeling that something is overwhelming, the weight to be the distance from the beginning to acquire the artist's sensibility when it comes to a climax. Finally this relationship torment disenchanted this relationship reaches its highest point, when he dies in the city of Tuxtla Gutierrez.
But this relationship with city \u200b\u200balso carries a positive, because among this chaos is love, literature and theater, as horizons are opened for testing. There is growing as a writer. In the city is chaos that makes him recover his memories, perhaps as a result, in many cases, its poetic evocation of the sea. This explains why the city represents for the author's approach to another reality, is in itself, a reality at odds with society, that distance by the consciousness of individuality and emerges as a lifestyle.
The book of collected works of Joaquín Aguilar Vásquez "At the peak of more white heron" begins with the poem "On the street long "(2010, 45) Quincho welcome to readers, a challenge to the common, reflecting the conscious artist who hesitates by the passages of the unknown, the city which torments him:" For the long street / someone walks my steps / someone dies in the corner / someone beyond, born /. "The everyday is a reality that enslaves subtly, that becomes part of the personality and consciousness, but the artist knows how to recover and continues:" it appears run with the naturalness of the time / and sometimes stop at the corner / it seems to me like daily / "Until finally been recognized as one super-man who is able to transgress the rules," unless day / by the long street that suddenly becomes a child / I wear my steps / know their hours watches made of meat / and know all the things that I can watch it from what it was / is a broken dream / then comes the night / and I tell you, they will come another day, maybe /. " So declares that embraces its role, which is ready to get lost in the labyrinth of poetry. Author clear and precise, using language as an extension of his being born of deep emotion, his recurring theme of the sea puts it in a special status, as there are more authors to talk about it today, is a poet cult that likes to recover in the memories of youth that make the true advancement of his work. Today
close the national congress Joaquín Aguilar Vásquez, with tables of lectures and testimonials about 11: oo hrs. And 18:00 hrs. In the general library UNACH. Event which will surely charge a new dimension to the poetic works of Joaquín Aguilar Vásquez, feel as precedents for the critical exercise, which will transcend the author to his rightful place in the poetry of Chiapas.
Comments: elliroforo@gmail.com

Why Does A Scorpio Ignore

Women and Drama: Elena Garro

Gabriel Velázquez
The Liróforo
Toledo Women and Drama, Elena Garro and poetic drama. Elena Garro
like to use in his drama a merging of identities, which demonstrated values \u200b\u200bthat are submerged in the depths of human thought. The animal is without doubt one of his concerns, because in spite of modernity is constantly resorts to the use of superstitions and passions concerning behavior. This causes a certain identity with the audience, theater and his strength lies precisely in the Bridge of the animal, which violates the ordinary, but at the same time is negligible. A community
symbolic values \u200b\u200breiterating on three works chosen for analysis "Dogs," "The Trail", "tree." The solitude of the countryside, solitude city, the loneliness of man. Not knowing how to be part of the proposal shows transgression that Elena Garro. Places the darkness like a mystical place, so their characters have little ghostly, otherworldly, magical thinking that transforms your order.
in "dogs" we see this when you make memories of the mother and cousin to what is known as an instant inadvertently conjuring cyclical "Javier: Do not take the turn very dark night. The trees are dropping their demons and shadows surrounding himself ... "Barajas, in" Trace ", is completely bewildered by his mother dead and considered a betrayal of his best moments on have given up everything for a woman. Adrian: ... I've become the forgotten men in remote villages, have killed a pedriza to Divine Providence, to ride an orphan on this trail, where no longer roam the dead. "It's the spell of necessity, of family, of helplessness. Finally Luisa in "The Tree" justifies the conduct that has been in the past, the presence of a demon, magic "Luisa: And I went to the mountain and found a green tree as my friends told me I did. "
But thanks to this mystical thought is that Garrett has also managed to find a syncretism between past and present. Memories are the real image torture, epiphanies and strengths, which lead to action in all cases. The language also serves as a tool to connote that there is a profanity, a sense of social belonging, equality between viewer and actor.
The scenarios are also common. Loneliness permeates a feeling, which encourages magical moment tragic. The darkness increases, and hides, madness takes over the characters in the blink of an eye, bad luck and destroys. That is why solitary moorland encourages departments in their environment because they are both isolated from human contact, which approximates to a common unit, and allows them to satisfy their instinct and desire. Something curious
Garro presence in the drama is its use of a highly symbolic poetry, which manages a syncretism of ideals, resumed the pre-Hispanic thought. Currently many of his works taken up a strong force, since the use of violence and its justification, we recall the state of siege in which we now live in the country, a writer who no doubt read to understand the present.

Template Poodle Applique

Congress on the work of Joaquín Aguilar Vásquez

hereby extends an invitation to researchers, teachers, students and society in general to participate in the First National Congress Joaquín Aguilar Vásquez, to be held on 17-18 and 19 November this year in the city of Tuxtla Gutierrez, Chiapas.
Participation shall be a critic, referring to email martneztorrez@prodigy.com a digital file with the paper to be presented.
worth mentioning that this event occur in scattered work, meeting for the first time in one volume, Joaquín Aguilar Vásquez, have invited renowned scholars of literature in Mexico in order to assess and more widely known that without certainly be recognized as one of the best writers in the twentieth century Chiapas. Greetings

Ww.travestisbr.com.br

This summary is not available. Please click here to view the post.

Letter Of Interest Format For Sorority

was .. We Treatment for varicose veins

; NESTOR KIRCHNER (1950 - 2010) Let

talk to those who know ...

Miguel Hernandez
ELEGY
(In Orihuela, your people and mine, we


died as Sijé Ramon Ray,

with whom he loved ...)



I want to be crying the gardener

land you occupy and fertilize,

soul mate so early. Feeding



rain, shells, and organs

my pain without instruments, the discouraged





poppies give your heart for food.

Grief bunches in my side,

that hurt, it hurts to breath.



A hard smack, blow, ice cream,

invisible ax murderer, a brutal shove

has cut you down.



No extension bigger than my hurt, I cry my misfortune

and sets

and feel your death more than my life. Ando



on stubble of the dead, and no heat

anyone and without consolation

leave my heart to my business.



death up Early flight,

up early in the morning early, early

is rolling on the floor.



forgive not love death,

not forgive careless life,

not forgive the earth or nothing.



In my hands

raised a storm of stones and axes ray loud, disaster

thirsty and hungry.



I dig the earth with my teeth, I

land away piece by piece with his teeth

dry and warm.



I want to mine the earth to find

and kiss your noble and desamordazarte

skull and bring you back.



'll return to my garden and my fig tree,

by high scaffolding
flowers
birding your soul beekeeper



of angelic waxes and work.

'll return to the sound of the gates of lovers

farmers.



glad the shade of my eyebrows

and your blood will go to each side,

disputing your girlfriend and bees.



Your heart, and crumpled velvet,

a field called almond foam,

love my voice greedy.



At winged souls of roses
almond cream
requires you,

we have to talk about many things,

soul mate, partner.

http://www.youtube.com/watch?v=RL_3R-QVLks

How To Adjust Easton Velcro Pants

Today we received a mail with the following contents:

"Hi, Leo


usually online information on varicose veins and I saw you posted a post in which you make reference to this problem here:

http://atraparalpato.blogspot.com/2010/10/marisa-espera-sentada.html

"He looked the window but could not see. Joints ached more and for varicose veins could barely walk. Controlled the pain to return to focus on their memories. He recalled what had happened to that man. "

few months ago I started a website about the treatments available for varicose veins and I can not take off, perhaps because of the subject so delicate. With my other two projects on hair loss and hemorrhoids (also sensitive) I better, I encourage you to meet them.
Anyway I do not get discouraged and seeking improvements. I wonder if you care to make the word "varicose veins", you have in the post, a link to my blog http://www.tratamientovarices.org/

for me would be helpful and you can return the favor I intend to send a short text (about 100 / 150 words or more) on the theme that you like to publish it together with a link to your news page on my blog that has a PR5.

http://www.sociedadabierta.es/

Anyway thank you very much for your attention and congratulations for your blog.

A hug and thanks in advance for your cooperation.

Cristina Pizarro Torres.

cristinapizarrot@gmail.com

http://www.tratamientohemorroides.org/
http://www.tratamientovarices.org/
http://www.caidadelpelo.org/ "

really touching. And we are cool guys, we dedicate a post and, besides, we just added as permanent link to the left of your screen. Take it seriously, you can also have varicose veins and this girl gives a solution.

The editorial

Whats The Strongest Gel

Liróforo Gabriel Velázquez The Toledo
The criminalization of culture

One of the most profitable businesses in the world of communication is the radio. Hundreds of motorists prefer to tune a station, to accompany the journeys they make and reduce the stress of traffic flow so slow that it is in the city due to the overcrowding of cars. The high impact that this medium is in the social mood is not comparable to any other yet, especially when the technical requirements for your line, do not require large expenditures.
Lately, disposal, next, the frequency of amplitude modulation (AM) is revealed as part of a strategy of big radio empires, this measure seeking to end competition from local and community radio stations, seeking to force to enter a market in which technical requirements are extremely expensive and beyond the reach of those who do not have the money to mount antennas and sophisticated equipment emission wave frequency modulation (FM).
As if this measure, disproportionate, in the name of "modernity" not enough, the repressive action of institutions involved in law enforcement, have lambasted the religious and cultural stations remain in the "clandestine", but they apply commercial use space allegedly "pirating." As is well known the permits to make commercial use, are extremely cumbersome and bureaucratic, created to minorities who have the needed favors, including having a good sponsor to leverage the permission of the authorities, and thus exploit the radio spectrum in the city. But the process is simply an absurd attempt.
This business is in the hands of a few families, and those who dare to propose a program are classified as criminals, even if its proposal is submitted to the dissemination of socio-cultural alternatives.
In recent weeks, 3 radio stations have been victims of operating assumptions, in order to dismantle and remove them from the air. Justification is the social grievance, attempted sedition and provoking ideas. The testimony of those who were present during the raids, say the use of force was excessive, with foul language and threats against people who were in the buildings. Treated as common criminals, rebels, pinkos and not as journalists, subjected to force and intimidation by agents weapons prosecutors of "justice" carry these cases.
I wonder how necessary the use of repressive force to comply, which undoubtedly is their duty? Dialogue is the virtue of wise people who are willing to solve problems without going to show off his "power." We can not remain blind to this phenomenon, as contemplating the use of force against people who are not committing harm against others, as "normal" is another symptom of this serious disease that convulsed us as a country: intolerance. Do not forget that science produces virtue without fools and science without producing under tyrants. The mediocrity just causes a critical condition in the debate, freedom of speech and the proposals share a common space, looking for social welfare and most importantly, progress.
Comments: elliroforo@gmail.com

Tech Deck Live-skatepark

The Adventures of Lucretius, crab, and Ana Ochoa, Marisa

There was a time when Lucretius, crab, lived with other crabs. But he was not like other crabs, and that Lucretius was wayward. For example, wondered why the crabs walked backward or that the water was salty and that sort of thing that generated condemnation from the other crabs, which ended up considering a jerk. Lucretius, crab, then started to come together with the anchovies, which are the pariahs of the sea, the last jar orejón ocean. A anchovies the other fish are shouting "Pizza Toppings" among other insults as hurtful as this.


Ana Ochoa, anchovy, load on his back or on their fins, a tragic story. All his family had dinner at the pizzeria near the train station of La Plata. Alone in the world, her only company are other anchovies and Lucretius, whom he met while both roamed the seabed.

Lucretius, crab, and Ana Ochoa, anchovy, have fun easily. Any daily activity and insignificant, for them is a source of entertainment. For example, like to bet to see who holds more water out of breath. Lucretius, the be a crab, one who almost always wins, except for those times when, as a matter of courtesy, let She beat Ana realizes this but does not mind, every time we win it loads and does not give revenge.

Masterbate Without Making A Mess

anchovy sitting waiting

"Marisa expected sit-



By: Willy Wonka. Marisa

took off his glasses and wiped with a cloth orange. Then he leaned his arm and putting them on the table. It had just lifted after three hours of sleep. Marcelo Longobardi spoke with some interference. The darkness of the night hiding spots humidity of the kitchen, while she waited for her husband to return. "That sly old" thinking. Manipulating a rosary in his fingers. The sound of a cat fight distracted her. He looked out the window but could not see. Joints ached more and for varicose veins could barely walk. Controlled the pain to return to focus on their memories. He recalled what had happened to this man.
Her husband, Jerome, was a good man but had always made her suffer. She always forgave him because his mother told him that the women came into this world to suffer. Marisa always defended and cared for her husband, since they met. At that time, Jerome earned life with small stories of the various scams and uncle. Marisa met him at a spring dance Pehuajo organized in their village. She was with Rodolfo Cuenca, her betrothed before he met Jerome. This had come to town to escape the police and wanted to take dance to raise money before continuing their flight. But plans changed when they met. Marisa returned from the bathroom, taking a break from boredom with Rodolfo Cuenca. Jerome wandered by. He saw her and fell in love. Approached him and started talking. Marisa soon ended up falling head over heels and left the site. That evening, Jerome told him who I was and told him was fleeing from justice. Marisa did not mind any of that, she loved him and was willing to follow him wherever he is, that night, escaped together. Were caught in Bolivar. Jerome was convicted and sent to prison in Olmos. The six years in prison were very harsh. Marisa decided to move to La Plata, to be closer to Jerome. Began to make a living weaving clothing and caring guys. Her parents disowned for falling in love with a scammer. She did not care. She was in love.
When Jerome came, he began working as calm at the Museum of Natural Sciences of La Plata. Marisa had stopped working when Robert, the first of his two children. Marisa
never liked the work of Jerome. She always thought it was dangerous, something that could happen but what hurt was not able to sleep any night with him. Thus, began sleeping less and less. By day going back and forth with the kids, at night I was alone and worried. I always thought that would happen to her and the boys if Jerome was gone. When Oscar was born, the second, this idea was deepened. I become sleepless nights, crying at night. When the children left the house, Marisa was calmed a little and started sleeping more and more. His final peace came two years ago, when Jerome was removed. Retirement It was not much, but she did not care. Now would be able to spend more time together to enjoy their grandchildren, to enjoy them.
But that all changed about two months weeks ago, when Jerome bought a black monkey, tiny and pretty ugly. He said it was a pet. Marisa never knew where he had gotten good as he had trained, nor did he ever wanted to tell. She did not say anything because her mother had told him that a woman should not ever get things of men. The monkey quickly became a nuisance. Discharged on all sides, broke several vases and even attacked one of her grandchildren, though the incident did not happen to adults. Despite all this, Jerome always defended the monkey.
Since I had bought was acting weird, but Marisa did not suspect anything until yesterday, when a neighbor who had heard from an acquaintance of someone who saw him had told him: Jerome used the monkey to come to rob houses. Marisa was furious. "That old crafty" he thought. When it came I was going to sing a couple of truths. It was unfair that he did this. She loved him but he was tired of suffering for him.
Jerome entered the house trying not to make noise. He carried the monkey on his shoulder. He was heading to the kitchen where he met Marisa. This looked at him with hatred. The radio cut the tension with a pin. Jerome went to the refrigerator, took out the milk, then took a bowl and put it on the table. The monkey got out of his shoulder and began to take the plate.
- Above you give milk to that crap? - Marisa said, containing his anger.
"I can explain, love ...- Jerome said.
- What you got to explain, trash? - Marisa said, furious, I'm sick, just go out to go to church and you do this! -
Marisa made a short pause for breath. He wanted to stop but could not and sat. With his hand, threw the plate on the floor. This was shattered and the floor was soaked with milk.
"But, my love, listen ...- reached say.
- Listen, my ass, "interrupted Maria," you would not think of me, in your children or grandchildren? Marisa
was silent for a few seconds.
- andate, andate - Marisa cry, on the verge of tears.
There was a moment of silence, the monkey climbed the shoulder of Jerome. After a few seconds were as fast as he could to the room and returned with a fine pearl necklace. The monkey gave it to Marisa.
"It's for you," Jerome said.
Marisa took the necklace in her hands and examined it, the brightness of the stones looked beautiful. Then I looked at Jerome.
"Well ... I do not know what to say," he stammered. Jerome
smiled. He opened the refrigerator and poured himself a glass of water. Marisa watched. It felt a little guilty for having mistreated her husband. At the end of the day, Jerome did think on it. "Forgive
...- Marisa-I stammered out there ... ... I should not ... -
Jerome looked at her and smiled again. Marisa looked at the monkey, which was on the table.
"It's nice," she said, shocked.

Calories One Piece Toblerone

fansines: embers of freedom of expression. Gossip culture


Liróforo Gabriel Velázquez The Toledo
fansines: embers of freedom of expression.

Lately the closure of newspapers, magazines, broadcasting facilities and any other way not in accordance with official regulations of trade in information, not surprising. It seems that the trend is to make the opinion a privilege, for he who does not have a closeness to those who control the media, is intended to remain in the corner of silence.
Fortunately for some, globalization trends allow access to electronic means of communication, particularly online, is a useful tool in this quest for freedom of expression. But still we need some years to consider in our state, in that medium, as an effective alternative critical communication. The strength of this medium comes slowly through social networks and the critical awakening of young people who decide not to stay with hints of information as the networks we have and look for alternative versions of those same news, that the network is.
In the past the youth movements had alternative means of expression, which emerged as part of a personal ideological commitment. The fansines were largely one of the most important tools in the dissemination of contemporary values. Profit derived from fan (fans) to magazines (magazine) by young, there were these alternative proposals, that in a couple of leaves (simple printing or photocopying), setting out those elements critical thought and opinion that were not covered in these exercises.
last no more than 5 years in Tuxtla this movement was driven by young people today are bound in their quest to define a literary style (as in the case of Omar Gamez, Victor Molina, Antonio Reyes, etc.). The joint efforts of students in the social present their ideas and concerns, has been reduced significantly. The generation of readers of "kinetic marginal", "jugular blood," the syringe "and so on, has had to conform to resort to blogs, lamenting the absence of those chance encounters, in vans or tuguchis, those texts that moved to a different ideological exploration.
The field of intellectual and technical experimentation was this medium have lost a battle, when their main center for the promotion and dissemination, the faculty of Humanities UNACH where races are literature and communication science has banned the publication in the walls of these efforts, conditioning them to review and advance application to the authorities.
encourage independent proposals publications, no means encouraging underground or gossip, but look to the future host of critics, to ensure an independent opinion, that its exercise does not address the masses, but to themselves obliged to hold a congruence go of their ideology to their actions.
largely I think the crisis we are living, lack of critical material and specialized magazines, is because it has not been promoted a culture of values \u200b\u200bworthy of the society in which we live, which is still based on his past. Now we are a cosmopolitan society, like it or not, and the promotion of alternative means laying the foundations to transform something that is of great vitality, promoting exercise self-critical.

Occ Mini Chopper Spider

The Adventures of Lucretius, crab, and Ana Ochoa, anchovy

Lucretius, crab, and Ana Ochoa, anchovy, spend their afternoons looking for stones with a stone. This task is much more complex than might appear at first glance, that is why we often have long discussions about which stone must be kept and which should be discarded. A couple of days ago was the following exchange.


"Look at this stone," says Lucretius, the Crab.

-no good, "said Ana Ochoa, anchovy.

- Why?

has a ball-

"Yes, and?

"You watch it and say" is a ball-shaped stone "-Aja



should say" When "is a stone-

Go to the bitch who gave birth to my shaped stone.

Finally, the stone was discarded.

Lucretius and Ana have a neat collection of two hundred stones, broken by name, color and date of discovery.

Further Review For New York State Tax Return

Liróforo Gabriel Velázquez The Toledo
gossip culture

In our country, and unequivocally, to our no capacity for research, product of poor education that teaches us what we should know and not how gain knowledge, we have opted for an alternative which is not necessary to verify the veracity of this. It is just playing a rumor, always charged a little subjective opinions of individual who reports and imaginative exercises to supplement, by way of intrigue, missing data, thus ending further to distort what was said. In short words, gossip.
Envy, malice, ignorance, hatred, are just some of the reasons that lead people to continue a malicious rumor, the good news surprisingly little is known. To make matters worse, it seems that this practice is driven by the institutions, to exercise against crime, encourages society to become an active part of this exercise. The culture of complaint is merely an exacerbation, representative of the invalidity of the functioning of the strategies followed to date.
is not encouraging that we are a nation of gossips, is a cultural change which urgently needs a solid foundation that the humanistic education (Which include civic and ethical values) can provide. However it seems that the institutional arrangements of some education leaders do not address the critical exercise of reason in the students, because it is extremely dangerous for their structures, which remain the basis of electoral favors and money.
The influence of soap operas, entertainment and cheap literature, product magazines that only seek to exploit the illness, in addition to the social development of this practice as unethical gossip. It seems that it is a conspiracy aimed at keeping in mind the lethargy of the people.
But not all their fault, because the intellectual and private initiative (I mean society in general not to the great emporiums), have not made a decent effort to promote the most essential principles in the young, who are most in need. One example is that millions of kids ni-nis that exist in the country, have not the least idea how to get to prepare proposals or actions to improve their quality of life, as they are waiting for paternalism, which for many years we had used and now only goes to certain select groups.
What to expect then? The fear of the state of siege in which we lived for 4 years, has also clouded the thinking of people who are afraid to express an opinion under the risk of being considered a maverick and, therefore, receive the corresponding repression. So the half-truths that the mainstream media present us day by manipulating its contents, is not contradicted or challenged because the majority of viewers who consume this content
Undoubtedly, this is a matter of will. Much has been made with the opening of schools in the state, which is worth highlighting, however the question remains about who will be responsible for the education of young people who probably should suffer the ravages of educational programs officers, which even teachers dominate. Fortunately
large orbs the phenomenon of the Internet is opening up portals that allow young people to verify the veracity of what they learn. This practice soon lead to some critical exercise of the search for a specific knowledge that will transform them into people capable of proposing and defending with bases.

Comments: elliroforo@gmail.com

Pippa Middleton Is Ugly

Brecht and Artaud. The theater and its poetic


Liróforo Gabriel Velázquez The Toledo
Brecht and Artaud. The theater and poetry.

Bertolt Brecht (1898-1956) assumed that "The theater is to represent living fictions of human events occurred or invented to amuse." Idea throughout his book Small organon for the theater, it is recurrent, as opposed to the that was the predecessor of the break with the formal structures of the theater in the West, Antonin Artaud (1896-1948), who was looking at the "Theatre of Cruelty," an emotional response stemming from saturation and intensity. Both models are transformed in the mid-twentieth century, the concept of theater as a whole, leading to a transformation from its roots. Brecht
catalogs for this amusement Amusement and weaknesses, (simple and complex), the latter more complicated and rich aspects "most contradictory and fraught with consequences," meaning those that had a relationship with the exercise of discretion. Brecht said that "The task of the theater, like the other arts, is to entertain people. This gives the special dignity. " Like Aristotle, believes that "Nothing higher nor lower than anything to amuse people." Thus differentiating the dynamics of the "Reflection smart" Artaud proposed for the assessment of a show in all its aspects (music, art, drama).
Brecht insists that the "amusements of various ages were of course different, according to the ways that men had to live." The historical category social helps us understand the way that the theatrical was observed before the emergence of new values \u200b\u200b"Inaccuracy or even the apparent implausibility, bothered little or nothing, while the inaccuracy it has a certain consistency and the unlikelihood be consistent." Never mind that there were inaccuracies or errors in the stories depicted, but ourselves of the beautiful and great feelings of the protagonists of the story. Involve the audience. Artaud seeks, in the exercise of a theater that seeks to engage the emotions of the viewer with the ritual that represent actors, the public also have a positive impact of what he observes, but the shock resulting from the show itself to represent you.
opinion about exercise unprofessional actors "commercial" which Brecht disdains the time, is shown in its view that: "This reduces our pleasure in the theater are inconsistencies in the representation of human events" and though prepared in this way the split with the theater "ritual" of Artaud to propose the free exploration of the scene in pursuit of a smart and simple show, disposed of the search for metaphysical, inner, unconscious of his predecessor.
How should offer our representations of human society? What is the attitude productive against nature and against society, that we, children of a scientific age, we adopt them entirely in our theaters? These are the questions that Brecht heir of his time and will try to respond to the exercise of the absurd. And for the scholarly work, proposing "Our attitude must be critical. If it is society, revolution. " Seeks to bring social revolutionary theater, ie those capable of transmitting a work, certain message. "Do not forget when they are with us, his youthful interests in order to trust the world to their brains and their hearts, to transform it according to its criteria." Artaud on the other hand, started from the precept of "Ritual of theatricality" in their quest for a changing liturgy but deeply intelligent but severely critical Brecht: "What interests the viewers in those theaters, it is misleading to make the change of a contradictory world, on the other harmonious, or a not very well known, other dreams. " The reality hit the stage, presenting a new face: "Theatre has to compromise with reality in order to extract truly effective representations of reality." Including moralistic values \u200b\u200bof society in which the dramatic action occurs: "And this will also that viewers enjoy the specific morality of his time tied to productivity. "

Does Strawberry Daquiri Have Alcohol

Our (violent) culture

The
Liróforo
Our Toledo Gabriel Velázquez (violent) culture

few days ago I had the opportunity to attend a gig of which are held in ballrooms by the music groups "underground" that exists in the city . The mood was festive as the first band started playing. Yet something strange caught my eye, appeared haggard faces simply a zombie mask, moving to the beat of the music automatically, without even understanding what was raging around them.
Smell a solvent that gave off some, dilated pupils and other more authoritarian and violent attitude of those in the center of the "slam" intended to dominate the dance circle, beating good tip to those who approached them, offered the rest of the show degrading of the youth, surrounded by headless, bad social programs, drugs, war institutional reality so beyond our immediate and oppressive system that considers their culture with all the rigor of a generation that has grown old, (assuming that their values are correct and so therefore that must prevail in this city) left me feeling that the violence is also a culture. This
I do not mean to Aztec sacrifices, so famous and twisted by the ignorant conquerors descriptions, or the pressing need for deep social changes to weapons, the war for independence, reform and revolution, but merely a generation neither-nor "that, like any other youth generation ago, seeking freedom from bondage and conventions, with a transgressive attitude of the established order.
The lack of covered space to accommodate hundreds of young people dissatisfied with a system, the best of cases denied and ignored, and the worst of these are repressed, says the hatred that justifies their actions degrading. No matter clouds the mind with solvents that burn the respiratory system and alters the perception of the immediate, distorting it into a paranoia, because today the "cute", the "flex" and all that "makes" for a few pesos, it is fashionable.
Violence begets violence. Transgression of national policies to individuality, the criminalization of youth attitudes and lack of understanding of a social problem that is occurring in recent years throughout the country, have simply created a time bomb.
The vent that for these young people is attending a gig, dance and expression, has allowed the allocation of much of this disagreement. But I wonder what happened to the open spaces in which the regulation of an order by cultural groups can turn violent exercise of hiding in a search for harmony and coexistence? Just a lack of vision of some, has skewed the park spaces as youth, which for a long time are not more active than the free internet-connected computers. Or the audience in a corner of Central Park, has been abandoned long ago.
is necessary to promote cultural policies that foster youth in different environments and stop criminalizing, for the simple appearance and personal prejudices, promoters and spectators of these shows, because the youth is not waiting to meet the expectations of generations that are completely unrelated. Neither the repression
generate good results, because although drug use has increased among young people is more important than a real solution to the problem that affects them, as the disease is not drugs, are only the symptom of something deeper than it has to do with family discord, lack of opportunity and acceptance, and especially with a lack of willingness on the part of society, government and associations of any kind, to give sensitive response to what is happening now.

Comments: elliroforo@gmail.com

Knee Overcompensation Syndromes

unborn IV

Day Two, Second month of the year

Tigre

Something explodes and causes the extinction of the sun ,
a shadow, two, hundreds, thousands
all obscure the only way out there



are twisted my words and walk to the precipice of dismissal
thanatos this time Did I win?

think of your little finger
your cry of hunger,

in your eyes looking at your mother, born
and you, me, the force of Eros

No, this time not defeat us

Thanatos My love existential sublimated into your rhythms,
everything is intact.
I kiss you through my hands caress your brief humanity

I love you confused, weak, vulnerable, almost dead on
soil,
I love you deeply and only want to feel my sadness that my tears
the interpreters as summer rain,
your mother is not sad,
only been placed under the wet sky one evening and makes you wrong
learn a little salt water ...