Liróforo Gabriel Velázquez The Toledo
The Estridentistas II
One of the assumptions that the group of estridentistas always maintained, was its proximity to minorities that the vast majority were miserable and exploited. So the group did not evade their social conscience and seeks empathy: "HEY BROTHER / did you you hear my screams? / Really feel my tears fall / through the rock?". Fortunately
experimental search of these poets is transcended. Invade items from other areas to suggest effects, such as with a pictogram Like Tablada perhaps another Veracruz who had ventured into this area, "sweat touch / cold / and / bal / CEO / my / hammock" image. The swaying, are part of a visual experiment that includes environmental elements. Finally
characterized by impertinence, as a tool to propose a breaking point, as Kyn Taniya says: "Is not good man donkey ears / the snake deserves to have its monument in the Plaza of the Constitution?" His sharp sense of humor makes it just like that one of the clearest representatives of Stridentism, that somehow reminds the group that formed early Lorca Dalí and Buñuel, which incidentally takes place in a quasi-parallel. The case of Germain
Arzubide List is different. Corner can see what it says on margin Maples Arce, "the mechanical and geometric splendor of the century." Part of the formula used by the author focuses on the loss of respect in the suicide attack that seeks to change forever. "A Villa was invented / those who hated gringo." There is a strong release in the association of images, "the cloth with threads of music / electric to catch the butterfly." Finally the release of the language as proposed for the ideological break "Schakespeare does" exit " as a character. "fatalism Full of thoughtful, one who shore to the final consequences" must be disposed of 40 floors / to reflect on the way. " Gallardo in El Salvador
electrical staff, shows the first fruits of the affinity that the group is having on young people. Since then innovation becomes a paradoxical language. is the representation of the everyday, taken to sublimate for a final moment before it is lost in indifference again, "The album of the street / engine rolls / leaking of the posts / they write symphonies."
The music covers a special place in the thinking of renewal of estridentistas as shown by Maple, "while the dyes light orchestra / and syphilis yawns" stove pipes "and Kyn Taniya," the black rhythm of jazz bands in New York. " In the representation of a change, a rebellious identity. Gradually
rampant estridentista proposal was fading. Age, with economic needs and that would later become exercises in political power, cut short a movement that in its irreverence decided to divest the official forms. A parallel search for alternatives that lead to the delight of progress.
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