Gabriel Velázquez
The Liróforo
Toledo Women and Drama, Elena Garro and poetic drama. Elena Garro
like to use in his drama a merging of identities, which demonstrated values \u200b\u200bthat are submerged in the depths of human thought. The animal is without doubt one of his concerns, because in spite of modernity is constantly resorts to the use of superstitions and passions concerning behavior. This causes a certain identity with the audience, theater and his strength lies precisely in the Bridge of the animal, which violates the ordinary, but at the same time is negligible. A community
symbolic values \u200b\u200breiterating on three works chosen for analysis "Dogs," "The Trail", "tree." The solitude of the countryside, solitude city, the loneliness of man. Not knowing how to be part of the proposal shows transgression that Elena Garro. Places the darkness like a mystical place, so their characters have little ghostly, otherworldly, magical thinking that transforms your order.
in "dogs" we see this when you make memories of the mother and cousin to what is known as an instant inadvertently conjuring cyclical "Javier: Do not take the turn very dark night. The trees are dropping their demons and shadows surrounding himself ... "Barajas, in" Trace ", is completely bewildered by his mother dead and considered a betrayal of his best moments on have given up everything for a woman. Adrian: ... I've become the forgotten men in remote villages, have killed a pedriza to Divine Providence, to ride an orphan on this trail, where no longer roam the dead. "It's the spell of necessity, of family, of helplessness. Finally Luisa in "The Tree" justifies the conduct that has been in the past, the presence of a demon, magic "Luisa: And I went to the mountain and found a green tree as my friends told me I did. "
But thanks to this mystical thought is that Garrett has also managed to find a syncretism between past and present. Memories are the real image torture, epiphanies and strengths, which lead to action in all cases. The language also serves as a tool to connote that there is a profanity, a sense of social belonging, equality between viewer and actor.
The scenarios are also common. Loneliness permeates a feeling, which encourages magical moment tragic. The darkness increases, and hides, madness takes over the characters in the blink of an eye, bad luck and destroys. That is why solitary moorland encourages departments in their environment because they are both isolated from human contact, which approximates to a common unit, and allows them to satisfy their instinct and desire. Something curious
Garro presence in the drama is its use of a highly symbolic poetry, which manages a syncretism of ideals, resumed the pre-Hispanic thought. Currently many of his works taken up a strong force, since the use of violence and its justification, we recall the state of siege in which we now live in the country, a writer who no doubt read to understand the present.
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