El Liróforo
Gabriel Velázquez Toledo
Beyond the Sea, is the decline: The figure of the city in the poetry of Joaquín Aguilar Vásquez
Quincho is one of those writers who use the potentiation of language to recreate their emotions and feelings, reflections of loneliness and nostalgia, the language in his poetry rises to a meta-awareness of contemplation, the sublime, is directed to an empathy that is reached in the simplicity of his figures while the depth of their expression. Although primarily directed its theme the sea, the nostalgia and longing, hints at a stormy conscience, which is aimed at the adventure, chaos, drunkenness sense and is based in the city as a symbol of reality perceiver. Joaquín Aguilar Vásquez
To experience the city was tragic from the beginning, the child was brought to the city for education, leaving home, family, remains bonded to the house that gives shelter and studied at night school is in a city where Emeterio dies, her father, and can not attend the funeral. He learns to obtain the memory, the feeling that something is overwhelming, the weight to be the distance from the beginning to acquire the artist's sensibility when it comes to a climax. Finally this relationship torment disenchanted this relationship reaches its highest point, when he dies in the city of Tuxtla Gutierrez.
But this relationship with city \u200b\u200balso carries a positive, because among this chaos is love, literature and theater, as horizons are opened for testing. There is growing as a writer. In the city is chaos that makes him recover his memories, perhaps as a result, in many cases, its poetic evocation of the sea. This explains why the city represents for the author's approach to another reality, is in itself, a reality at odds with society, that distance by the consciousness of individuality and emerges as a lifestyle.
The book of collected works of Joaquín Aguilar Vásquez "At the peak of more white heron" begins with the poem "On the street long "(2010, 45) Quincho welcome to readers, a challenge to the common, reflecting the conscious artist who hesitates by the passages of the unknown, the city which torments him:" For the long street / someone walks my steps / someone dies in the corner / someone beyond, born /. "The everyday is a reality that enslaves subtly, that becomes part of the personality and consciousness, but the artist knows how to recover and continues:" it appears run with the naturalness of the time / and sometimes stop at the corner / it seems to me like daily / "Until finally been recognized as one super-man who is able to transgress the rules," unless day / by the long street that suddenly becomes a child / I wear my steps / know their hours watches made of meat / and know all the things that I can watch it from what it was / is a broken dream / then comes the night / and I tell you, they will come another day, maybe /. " So declares that embraces its role, which is ready to get lost in the labyrinth of poetry. Author clear and precise, using language as an extension of his being born of deep emotion, his recurring theme of the sea puts it in a special status, as there are more authors to talk about it today, is a poet cult that likes to recover in the memories of youth that make the true advancement of his work. Today
close the national congress Joaquín Aguilar Vásquez, with tables of lectures and testimonials about 11: oo hrs. And 18:00 hrs. In the general library UNACH. Event which will surely charge a new dimension to the poetic works of Joaquín Aguilar Vásquez, feel as precedents for the critical exercise, which will transcend the author to his rightful place in the poetry of Chiapas.
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