Liróforo Gabriel Velázquez The Toledo
Some notes on the evolution of theater in Mexico during the twentieth century
Part 4
For the last quarter century, proposals that theater will be presented focusing on everyday life and modernity. In the simple things of Hector Mendoza, we can see how the relaxation of social mores comes to great performance. The paradox of daily life, imposing a theatrical dynamic of different social categories. The author proposes a fluid and natural language in order to recreate the very human representation of attitudes. Unlike other works that hitherto had been submitted, the playwright intends to engage with young people. The dynamics of their thinking becomes a possibility, conducive to the character involved with the audience, with one possible "that was" or "what."
The theater has finally managed to involve young people, so in the near future will encourage the innovation of much of its content and form, the pair make great progress, thanks largely to the rising careers of theater, which was encouraging that global flows of that discipline played a part in the performances.
Belatedly, many of the theatrical experiments that were being done in Europe since the beginning of the century, had their chance to be represented in shows who enjoyed the wonder of the surreal element of the Mexican daily. These elements were very well used previously by film directors such as Luis Buñuel, but not until the arrival of great masters of drama in our country that have implemented these elements in the scene. Alejandro Jodorowsky
youth follows this line Mendoza, implementing new features, with particularity, managed to expand the horizons of the stage. The perception of the break from routine, is presented as a divorce to a tradition that was trying to stage much of the conventional popular. In contrast, the critical period, associated with a certain ideological disillusionment, which strives for the individualization of experience, resulting in a multifaceted experiment, since their representations are subject to a number of paradigms, totally different than usual.
The dialogues are born of improvisation and emotion, from a script that shows a foot. Jodorowski classic game, allows a different perception of the theater after he and his followers. The theater is a magical activity, which can represent any absurdity, any element that is directed against the convention and tradition.
Finally, as part of a social product, the disillusionment of living together in large orbs, the difficulty of being alone and in the existential void, led the theater to the boundaries of postmodernism. The generation of the Century proposes alternatives that are a delight intellectual, visual, auditory, leveraging technology and the play of light. For Morelos and Noe Torres Morales, there is a transformation following the dramatic language. The possibility of the actor-director gives more opportunities to show, which involves a much more advanced in character-spectator coexistence. Signals disappear
membership of the characters. Lose the name, distance to keep up a fantastic experience. Disassociated themselves from traditional values, complete with a tendency to break the routine with a shrewdly humorous, critical and accurate, showing that it distorts reality itself, through the flesh and blood characters that compose them. By the end of the century redefinition stage, set design, technology, music and the creation of new values \u200b\u200band paradigms, offer entertainment for all tastes. The new chamber theater, aimed at small and exclusive groups, street theater and poor theater, which is aimed at the masses and are popular shows, the commercial theater, which is sponsored by the television companies and most experimental theater , which merges many possible techniques and adapts is the scenario that is within reach.
Fortunately, the theater has found a new dimension in their caps. The advantages Dimensional exposure the work you have been charged to the actor, who catches the arts learning in order to perfect its work. The potential has been explored largely along the twentieth century. It seems that a charm for the past back to the theater to some forums, but still needs to be given intelligent shows, as a way to go creating a cluster of viewers / consumers, who managed to make a quality theater movement in Chiapas.
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